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from Bloomberg - Nathan Myhrvold on the Future of Newspapers and Content Generation

Posted on January 29, 2012 by Mediabids

Nathan Myhrvold, former CTO of Microsoft and perhaps the smartest guy around, gives his take on the future of newspapers. From Bloomberg. 

Deadline Approaches on Survival of Newspapers

By Nathan Myhrvold - Jan 22, 2012

These days, one of the saddest stories on Page 1 is about newspapers themselves. All over the country, venerable old dailies are shedding reporters, editors and other workers.

In my hometown, the Seattle Post-Intelligencer stopped its presses for good in 2009, as did the Rocky Mountain News, in Denver. In the past few years, major papers have gone bankrupt in Philadelphia, Minneapolis and other cities, as circulation and advertising revenue have plummeted. Even the proud New York Times recently needed a $250 million loan from Carlos Slim, a Mexican multibillionaire.

Just a decade ago, newspapers were still the primary conduit for local information. Where else could the neighborhood furniture store advertise a sale; the local factory attract new workers; or town residents sell their used cars or sofas? The paper used to be dropped daily on almost every stoop in town.

For much of the early 20th century, the newspaper business was both profitable and competitive. New York City still had seven dailies in 1960, spanning a full range of political philosophy and journalistic style. Movies such as “Citizen Kane” and “The Front Page” portrayed an era when driven newspapermen would do anything to get a story. The U.K.’s rough-and-tumble Fleet Street remains something of a throwback to that era, as demonstrated by the recent phone-hacking scandal -- which led to the demise of yet another century-old paper, the News of the World.

Selling the News

The great winnowing of the industry began slowly, as the rise of television siphoned off much of the national advertising business. Even then, most cities retained one or two papers operating profitably as monopolies or duopolies. Newsrooms took this privileged economic position for granted; they began thinking of themselves as selling news rather than ads. Competition based on journalism, they rationalized, would drive readership, and ad revenue would follow.

In market research I did at Microsoft Corp. in the early 1990s, I estimated that the Wall Street Journal took in about 75 cents per copy from subscribers, $1.25 at the newsstand and a whopping $5 per copy from ads. The ad revenue let them run a far bigger newsroom than subscribers were paying for. It was a bargain for readers and a boon for journalists, who were able to travel to distant assignments and do in-depth reporting.

The trouble was, the tie between excellent journalism and revenue worked only so long as the ads did. New online formats gutted the newspaper-ad business. Why pore over tiny print looking for a job in the want ads when you can tap a few keywords into monster.com, then click through and apply? Why pay a steep per-character rate for a classified when you can hawk a whole garage full of used stuff on EBay or Craigslist for free? In so many ways, Match.com, OkCupid.com and hundreds of others offer a better experience than personal ads can. RottenTomatoes.com tells you what movies to watch, Fandango.com lets you book the tickets, and OpenTable.com gets you a dinner reservation.

Newspaper websites tried offering these services, too, but it wasn’t their strength, and they failed to keep up. It didn’t help that online sites such as Google News could serve up most of the news without ever hiring a reporter; they just aggregate information from many free news sites. Newspapers’ trump card had been the local information that they alone offered, but the Internet was simultaneously better at both local and global information distribution.

At least when television burst on the scene in the 1950s, it largely spared classified and truly local advertising. It also created its own journalism; some of the revenue that television diverted from newspapers was reinvested in TV news. In contrast, the new forms of Internet advertising rarely support news gathering, or content creation of any sort. Instead, most of the ad money now goes to infrastructure technology that connects people with ads, search engines such as Google, or social networks such as Facebook.

Who Will Pay

The dilemma for early 21st century journalism is this: Who will pay for the news? This column is part of an experiment in one direction. Bloomberg makes its money providing proprietary financial information to subscribers, and this business has not been hurt by the Internet, so it can afford to offer a good old- fashioned op-ed page without ad subsidy. As the saying goes, it’s nice work if you can get it. But this model won’t extend very far because there aren’t a long list of similarly situated data providers dying to support journalism.

Filmmakers and book publishers have never relied much on advertising revenue; when we want to read “The Girl With the Dragon Tattoo,” or watch “Avatar,” we know we need to pay without an ad subsidy. Would the public be willing to pay full price for journalism, too?

A few newspapers -- the Economist, the Wall Street Journal, the New York Times -- have started selling digital-only subscriptions. It’s a first step, but they still plainly consider their print editions to be the gold standard, so they generate little unique digital content and fail to tap the full potential of online news. Tellingly, their current web revenue falls far short of what it would take to support their newsrooms. Meanwhile, most online news sites are still free, which tends to undercut the business model of those who charge.

The situation reminds me of the early 1970s, when cable arrived in our neighborhood, and the adults in my family were arguing over why anybody would pay for something they could already get free. After all, with a set of rabbit ears, you could tune in three major networks and plenty of local affiliates, all supported entirely by ads.

Quality Cable TV

Initially, cable providers offered the same channels as conventional broadcasters did, so picture quality was the selling point. Cable cut down on ghosts and snow and having to fuss with an antenna. Once improved reception got cable-TV operators going, they shifted their selling proposition toward quality -- and quantity -- of programming. Ted Turner started CNN. Others started HBO, MTV and Discovery, betting that consumers would pay for a kind of television they never had before.

It took 20 years, but the cable-TV industry prevailed. A generation grew up thinking “I want my MTV.” Today, 85 percent of American households subscribe to cable, satellite or telephone-company TV, paying an average of $82 a month, according to the research firm SNL Kagan. This revenue has been a bonanza for TV production, financing some of the best television shows ever made, all outside the original broadcast networks.

Could newspaper journalism likewise entice readers to pay for online news? People like quality journalism, so I believe that, ultimately, they can be persuaded to pay for it. But as with cable, the price will have to start low; it can then inch upward as the public gradually accepts the new business model.

The question is whether paid-subscription news sites can make the transition fast enough to make up for their plummeting ad revenue. It takes time to persuade people to pay for something they expect to get free. Ultimately, the change will happen, but maybe not fast enough to save some of the great institutions of newspaper journalism.

(Nathan Myhrvold, the former chief strategist and chief technology officer at Microsoft Corp. and the founder and chief executive officer of Intellectual Ventures, is a Bloomberg View columnist. The opinions expressed are his own.)

Newsright Aims to Stop Online Piracy of News Content

Posted on January 21, 2012 by Mediabids

Full story from AdAge here.

This effort makes sense. It is just hard to have a lot of confidence in newspapers when they team up for new ventures- their track record is horrible. However, let's hope this works- clearly there is a need. By the way - does this mean that newspapers are for SOPA? Just a few days ago editorial organizations all came out against it.

New York Times, Washington Post Expand Policing of Article Pilfering Online

Newspapers Form NewsRight, a For-Profit Company Tracking Sites That Scrape Content

The New York Times Co., The Washington Post Co., The Associated Press and 26 other news companies began a joint venture today to police websites that use their articles without consent and demand fees for legitimate use.

The NewsRight venture is a for-profit entity spun out of an Associated Press program started two years ago to explore ways to stem content pilfering on the web -- a practice known as "scraping" -- and to capitalize on a news-reading audience that is migrating online. Large news organizations have been suffering financial losses as a result of scraping, according to David Westin, 59, the former head of Walt Disney Co.'s ABC News who became NewsRight's chief executive officer in April.

Ladies Home Journal to Try Reader-Written Content

Posted on January 21, 2012 by Mediabids

Before starting Mediabids, I published a group of reader-written newspapers in Connecticut. It is a great way to generate interesting content. The trick is being able to put aside the biases that many "professional" journalists have towards the writing of readers. I have been surprised that so few publications have successfully pulled it off, although based on this story from AdAge- it looks like Ladies Home Journal has the right attitude. 

Ladies' Home Journal Lets Readers Write the Magazine

Venerable Publication's Bid to Attract Younger Audience May Cause Ripple Effect Among Mass Titles

Crowdsourcing has been common in advertising for some time, but in a highly unusual move, it's now vaulting the wall at the venerable Ladies' Home Journal, which is planning to turn over many of the pages in its 128-year-old publication to work written by readers.

The new look with the March issue
The new look with the March issue
The current look for Ladies' Home Journal
The current look for Ladies' Home Journal

Starting with the March issue, LHJ editors will cull much of the magazine's material from posts on DivineCaroline.com, a sibling at Meredith Corp. that lets consumers upload their own stories, as well as from the magazine's website, its Facebook page and other digital channels.

The magazine will still use fact-checkers and include experts in fields such as medicine and beauty, but it will start with consumers where it can. "We really flipped this model," said Editor-in-Chief Sally Lee. "Usually content creation begins with an editor. We have content creation that begins with a reader."

While other publishers have dabbled in the practice, its adoption by Ladies' Home Journal, a title that guarantees advertisers an average paid circulation of 3.2 million, is significant since it is the largest traditional media brand to commit to so much user-generated content on an ongoing basis. If it's successful, other mass-circulation titles may follow. "I've been asked a lot about whether we foresee this becoming a model that other magazines will start to implement," said Diane Malloy, publisher of Ladies' Home Journal. "My answer is, 'Gosh, yes, I think everyone is going to sit up and take notice.'"

The magazine says the changes were driven by research revealing that readers wanted a greater role in filling its pages. But the move could also help LHJ, which competes in the very mature category of women's service, improve its traction with advertisers.

An accompanying revamp by design firm Pentagram will signal the shift and include a new Ladies' Home Journal logo that shrinks "Home" to small type and overwhelmingly emphasizes "Journal."

Unlike the Huffington Post, where many bloggers post without pay, Ladies' Home Journal won't tell its amateur writers to settle for the exposure. "We are going to pay them our professional rates," Ms. Lee said.

The magazine wants to build a community of readers engaging with one another and with editors, but the idea predates the current notions of user-generated content and constant conversations with consumers.

The editor of McCall's, for example, told The New York Times in 1990 that the magazine's coming redesign would address a tendency to talk down to readers.

"Among the changes in the magazine, she said, McCall's traditional 'The Mother's Page' will no longer be written by professionals but by readers talking about mutual problems," the Times reported then.

The median age of Ladies' Home Journal readers has declined slightly, to 55.8 from 56.1, according to the most recent round of research by GfK MRI. But its readers remain much older than the U.S. population as a whole (GfK MRI puts the median age at 45.8), and somewhat older than readers of magazines such as Good Housekeeping, Redbook and Woman's Day. So LHJ is trying to make itself "relevant to the next generation without annoying some of the core readers," said George Janson, managing partner and director of print at Group M, the media-buying and -planning conglomerate.

Ad pages fell 13.6% at Ladies' Home Journal last year but slipped just 2.6% in monthlies as a whole, according to data compiled by the Media Industry Newsletter. A major downturn in food advertising that undermined the mass-market women's service books was partly to blame.

Editor-in-Chief Sally Lee
Editor-in-Chief Sally Lee

"I commend them for trying to add new life into a very mature magazine that has been around for a very long time," Mr. Janson said. "The redesign seems to be very clean, much bolder and much more energetic in terms of the visuals. The photography is pretty stunning. And I think it's a novel concept."

How the effort plays out over time remains to be seen. User-generated content is certainly no magic bullet: San Francisco startup 8020 Publishing introduced two magazines several years ago filled with consumer content that was first posted to the web and voted up or down by the public. The magazines -- a photography title called JPG and a travel magazine called Everywhere -- both left print during the worst of the recession, although JPG now prints individual copies to order for $14 to $19 through HP's MagCloud service.

And there are plenty of questions to answer. Mitch Fox, the magazine veteran who ran 8020 Publishing for a time, argues that readers will remain outsiders, not a community, unless they also have a say in choosing which submissions get to be in print. "You're still screening the content without any kind of community involvement," said Mr. Fox, now president at WGA Global Marketing. "It's a half-step."

Ms. Malloy, who was named publisher in October after her predecessor moved to Univision, said the magazine's big audience gave it an advantage over startups, like 8020, that try similar strategies.

"We feel very, very confident that the consumer is going to receive the new product well," Ms. Malloy said.

One Study Predicts Four Newspapers Left in Five Years

Posted on December 20, 2011 by Mediabids

According to the Annenberg Center for Digital Future in five years there will be four newspapers left. Of course, they are the Center for DIGITAL Future, so take their prophesies under consideration.

Full story from New York Times here.

Newspapers: Going...Going...Gone!

For anybody who has followed the news over the past few years (and, let's be honest, you were probably reading it on a computer), the long-awaited demise of newspapers shouldn't come as much of a surprise. But on Wednesday, the bell tolled once again for the printed word when the University of Southern California's Annenberg Center for the Digital Future offered some prophesies for the future of media. High on the list was a chilling prediction: Within five years, the report claimed, only four major daily papers will continue in print form.

According to Jeffrey I. Cole, director of the center, the four survivors will be The New York Times (NYT), The Wall Street Journal, The Washington Post (WPO) and USA Today. It's worth noting that two of these papers -- the Times and the Journal -- already charge for online content. Within the next year, USA Today also plans to start charging, which will leave The Washington Post as the only one of the big four offering its content for free.

Post executive editor Marcus Brauchli and publisher Katherine Weymouth both emphasize that the newspaper has no plans to erect a paywall in the foreseeable future. It's worth noting that the Post has weathered its financial storms better than most dailies: Its Kaplan educational subsidiary has remained largely profitable, helping to stabilize the paper's finances. Coupled with major cutbacks -- the Post has closed all but two of its regional suburban bureaus and almost halved its reporter corps -- this has sufficed to stem the loss of revenue.


Part of the reason for the Post's relative success is that it is one of the rare national papers that also has a strong local audience. In his discussion of the future of newspapers, Annenberg's Cole offered a caveat: "We believe that the only print newspapers that will survive will be at the extremes of the medium – the largest and the smallest." In many ways, the Post is both -- a paper with a huge national readership that is also widely read by its hometown crowd. As Politico recently noted, the Post has 30% market penetration in the Washington D.C. area; by comparison, The New York Times' hometown readership percentage numbers are in the single digits.

For media watchers, the demise of newspapers has become a grim joke; one website, Newspaper Death Watch, keeps a running commentary on the bleakness of the print media wasteland. While the increased online presence of many papers offers some hope for the future, lingering questions remain about what the death of papers will mean for the news. As Cole asks, "How will the changing delivery of content affect the quality and depth of journalism?" Stay tuned.

IPad Users Favor News Content from Newspapers and Magazines and Video

Posted on December 24, 2010 by Mediabids

 

 IPads, and tablet devices in general, continue to look like a big opportunity for newspapers and magazines. From Marketing Charts. Full story here

nielsen-connected-devices-oct10.gif

 

Bigger Screens Promote Print, Video
Resulting from what Nielsen analysis identifies as the iPad’s larger screen, iPad users show substantially higher download rates for print and video content than iPhone users.

Most notably, 39% of iPad users regularly access book content, more than three times the 13% of iPhone users who do so. In addition, 33% iPad users regularly access TV shows, three times the 11% of iPhone users who do so. And the 32% of iPad users who regularly access movies is virtually three times the 12% of iPhone users who regularly access movies.

A smaller percentage of iPad users regularly access magazines (25%), but this figure is still three times the 8% of iPhone users reading magazines on their devices.

The two groups display virtually identical rates of regularly accessing mobile radio (21% of iPad users and 22% of iPhone users). iPhone users are more likely to regularly access news (53% to 44%) and music (51% to 41%). In all of these cases, screen size is less important or irrelevant to the content experience.

6 in 10 iPad Users Pay for Apps
Application providers who do not offer paid iPad apps may want to start. Six in 10 (63%) iPad users have paid to download an app. In addition, only 5% say they only download free apps, suggesting a high willingness in this group to pay for applications.

Again likely reflecting the iPad’s larger screen size, the two most popular paid iPad apps are games (62% of paid iPad app downloaders have downloaded a game app) and books (54%). Other popular paid iPad apps include music (50%), and shopping and news/headlines (45% each).

Nielsen also notes that 4% of US households currently own tablet computers (a category including, but not limited to, the iPad).

iPad Users Skew Younger, Male
iPad owners skew younger and more male than owners of many other portable computing devices, according to other recent Nielsen data. Sixty-five percent of them are male and 63% of them are younger than the age of 35.

In terms of likelihood to be male, the only device researched by Nielsen that even approaches the iPad is the Sony Playstation Portable (PSP), with 62% male ownership. In terms of age, iPad owners skew slightly older than iPod Touch owners (66% younger than 35) and PSP owners (68% younger than 35).

About the Data: The Nielsen Company recently surveyed more than 5,000 consumers who already own a tablet computer, eReader, netbook, media/games player, or smartphone.

Popular Science Launches First Magazine App for Android Tablet

Posted on December 22, 2010 by Mediabids

 

From MIN. Full story here

PopSci Breaks Onto Android Tablet
Wednesday, December 22, 2010

While the iPad gets all of the press love lately, Samsung has had success with its rival 7-inch Android Galaxy Tab. The new tablet ably runs all of the existing smartphone apps in the Android Marketplace, so the device came to market with over 100,000 programs supporting it. Nevertheless,  there are very few apps designed specifically for the format, which is twice the size of most Android phones but half the size of the iPad. Bonnier Corp. is the first major magazine company we have seen venture into the Android tablet field with its newly launched special issue, Popular Science+ Top Tech 2010. Designed specifically for the 7-inch screen, Bonnier's new app reorients the Mag+ engine it used on iPad magazine and special issue apps for the smaller sca.

The special issue includes 100 innovative products from the year in 11 easily-browsed categories. Winning items get full-screen animations that show off the tech innovation. Bonnier says that it employed the Android’s pop-up menu function to house the table of contents. The Android app uses the same display conventions as the iPad version of Mag+ titles: tapping the screen removes the text to allow the background image to show unimpeded and full screen. According to Bonnier deputy director of R&D Mike Haney, the app for Galaxy Tab was an opportunity for the publisher to test new layouts on the 7-inch screen.

A number of Android, Windows 7 and Blackberry-powered tablets will be coming to market in the next few months in this smaller format. Says Haney: “Although the smaller space requires more simplified layouts, we found that the horizontal orientation of the widescreen display gave us the best canvas for easy-to-read, flowing text and big, beautiful images without the screen ever feeling cluttered—preserving that immersive, relaxing magazine experience.”

As magazines try to capitalize on the digital tablet craze, they will be chasing a fragmenting market as multiple operating systems and screen dimensions compete for consumers' market share. A key challenge for publishers will be creating technology platforms and work flows that can support multiple devices at reasonable cost.

The app sells for $1.99.